Women's Ceremony by Pantjiya Nungurrayi

Pantjiya Nungurrayi 'Women's Ceremony' 92 x 153cm.jpg
Pantjiya Nungurrayi 'Women's Ceremony' 92 x 153cm.jpg

Women's Ceremony by Pantjiya Nungurrayi


Pantjiya Nungurrayi c. 1936

Acrylic on canvas

92 x 153cm

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Pantjiya Nungurrayi was born in the bush near Haasts Bluff circa 1936, prior to the mission being established. Her first contact with Europeans was as a young girl, when she and her family met with men who were travelling by camel and distributing rations. 

During the latter part of the seventies Pantjiya lived with her family between The Kungkiyunti Outstation west of Haasts Bluff, and Papunya, before settling in Kintore soon after the community was established in the early eighties. She is the widow of George Tjangala, who was also an artist and an early shareholder of Papunya Tula Artists. She predominantly paints designs associated with Women's Ceremonies at the rockhole site of Kungkiyunti (Brown's Bore), west of Haasts Bluff.

Pantjiya has five sons and three daughters, one of her sons being Raymond Maxwell Tjampitjinpa, who also paints for the company.

National Gallery of Victoria
Aboriginal Art Museum, The Netherlands